Camerata Bardi International Academy | Camerata Bardi Vocal Academy

Programs

Camerata Bardi International Academy

Camerata Bardi International Academy equips students and young artists with the creative confidence, adaptability, and artistic identity needed to thrive in today's evolving industry. Through our initiatives, they gain a fully integrated experience of what it means to perform on a professional stage—navigating the fast-paced, high-level environment that defines a singer’s career.

Recent Press & Activity


Program Structure


Available Roles


Collaborative Pianists’ Development Program


Admissions, Tuition, & Scholarships


Deadlines


How to Apply


Career Launchpad


Hear From Our Participants


Partner Organizations


Click on the links below to find out more about our recent productions:


Suor Angelica — NYC — November 7 & 8, 2026
Suor Angelica and Gianni Schicchi — Campobasso and Sulmona, Italy — September 5, 6, & 8, 2026
Così fan tutte — NYC — July 17 & 19, 2026
Le Nozze di Figaro - Campobasso, Italy — August 30 & 31, 2025
Le Nozze di Figaro - NYC — July 27, 28, & 29, 2025
L'amico Fritz - NYC — July 19 & 20, 2025
Beyond The Horizon - World Premiere — September 15th, 2024
L'Elisir D'Amore - NYC — June 1st and 2nd, 2024
L'Elisir D'Amore - Greece — April 18th, 19th, 20th & 21st, 2024
The 10 Faces of Maria Callas - New York City — November 16th, 2023
Don Giovanni — NYC — Friday, June 16th & Saturday, June 17th, 2023
Carmen — NYC — May 11th, 12th, 13th & 14th, 2023
Don Giovanni — September 7th and 8th, 2022 — Rhodes International Festival
Don Giovanni — August 5th, 2022 — Phoenicia International Festival of the Voice
R. Zandonai | Giulietta e Romeo — Battery Park City — June 4th and 5th, 2022
Don Giovanni — April 29th and 30th, 2022


Camerata Bardi International Academy offers a practical, performance-driven program designed to prepare young artists for professional careers. Alongside training in language, style, and interpretation, singers gain extensive stage experience through public performances, productions, and workshops. Collaborative pianists similarly build and expand their coaching and rehearsal techniques through mentorship, direct training, and practical, experiential learning. The Academy’s curriculum connects classroom learning with real-world performance opportunities, allowing students to build a portfolio of roles and repertoire under the guidance of accomplished teachers, coaches, and directors. This combination of study and stage work helps each artist develop confidence, versatility, and a personal artistic voice that translates naturally to the professional world. This season, we will offer an online academy (Part One) and an in-person opera program in New York City (Part Two).




Lyric and Business Laboratory

Online Academy sessions with group workshops & coaching:
- May 8–9, 2027
- May 15–16, 2027
- May 22–23, 2027
- Individually-scheduled one-on-one coaching sessions

Our Online Academy explores topics across the spectrum of opera and musical careers, including but not limited to:
- Diction
- Score study/role preparation
- Mock auditions, audition preparation, and professional presentation
- Stylistic considerations and traditions in opera
- “The business of singing,” including marketing, social media presence, etc.

The Online Academy’s group sessions are supplemented by individually scheduled, one-on-one sessions with coaches and instructors to delve into these topics in a more personalized setting.



NEW YORK CITY PROGRAM


W. A. Mozart's Don Giovanni

June 13 - 27, 2027
New York City

The 2027 Camerata Bardi International Academy in New York City combines two days of intensive training and professional workshops with a complete rehearsal and production period for W. A. Mozart’s Don Giovanni.


ACADEMY WORKSHOPS: JUNE 13 & 14, 2027

Sunday, June 13
• 10:00am - 2:00pm, Italian recitativo workshop
• 2:00pm - 3:00pm, Break
• 3:00pm - 6:00pm, Audition feedback workshop with industry professionals

Monday, June 14
• 10:00am - 2:00pm, Diction coachings, with a special focus on Don Giovanni
• 2:00pm - 3:00pm, Break
• 3:00pm - 6:00pm, Italian recitative workshop, Part Two


REHEARSAL AND PRODUCTION PERIOD: JUNE 15 - 27, 2027

The Academy will rehearse and produce W. A. Mozart’s Don Giovanni in co-production with Teatro Grattacielo.
• Conductor: Abdiel Vázquez
• Director: Cate Pisaroni
• Performance venue: The Flea Theater, Lower Manhattan


Professional Premiere: Michael Dellaira's The Leopard

September 2–19, 2027
New York City

Camerata Bardi International Academy participants will take part in the professional premiere production of The Leopard. The program offers positions for one complete cover cast, along with selected principal roles. The cover cast will receive dedicated rehearsals and will prepare a complete run of the opera, culminating in a piano dress rehearsal.

ACADEMY WORKSHOPS: SEPTEMBER 2 and 3, 2027

The first two days will be devoted entirely to masterclasses and professional training for the cover cast and selected-role participants.

The work will focus on:
• Preparing and performing new American opera
• Approaching a new contemporary score
• Working directly with a composer on all aspects of creating and performing a new opera
• Understanding how a new work develops and how its musical and dramatic language relates to different voices and vocal writing
• Style and diction in American opera
• The role of contemporary American work in the season planning of opera companies across the United States

A composer will work directly with the participants to explain the process through which a new opera is created, how composers write for different voices, and how singers approach the musical, dramatic, and vocal demands of a new work.

New American opera is now an important part of the repertoire and planning of opera companies throughout the country. These two days will help participants understand both the artistic process and the professional expectations connected to this work.


REHEARSAL AND PRODUCTION PERIOD: SEPTEMBER 4 - 19, 2027

• Conductor: Whitney Ryder
• Director: Stefanos Koroneos
• Performance venue: The Nagelberg Theater at Baruch College, Lower Manhattan

Production Schedule (subject to change):
• September 4–16 — Music rehearsals, staging rehearsals, technical rehearsals, and principal-cast dress rehearsals. Dedicated rehearsal time for the cover cast will be built into this production period.
• September 17 — Cover Cast Piano Dress and Final Dress Rehearsal for the Principal Cast
• September 18 at 7:00 p.m. — First Performance
• September 19 at 3:00 p.m. — Second Performance

Throughout the production process, the cover cast will have its own dedicated musical and staging rehearsals, culminating in a complete run of the opera.

Our teaching staff, conductors, and coaches include some of the world’s most respected professionals from institutions such as the Metropolitan Opera, Dallas Opera, Teatro alla Scala, Palm Beach Opera, Lombardo Associates, and Athole Still Artists. Learn more about them at our faculty page!

At the beginning of each production, the first days will be dedicated to in-person lessons, masterclasses, recitative workshops, and musical rehearsals.

Our focus is developing you as a singing actor, giving you comfort and space to grow on stage, while fast-tracking your language, stage and marketing skills. This program does not focus on developing vocal technique from the ground up. We accept young artists who we feel already have a strong vocal foundation and are in need of some fine-tuning.

We expect our participants to arrive to the in-person sessions with their roles fully learned and memorized, entirely off-book. During the workshops and the production process, our artistic staff will take that basic preparation and work with each singer to elevate their musical, dramatic, and artistic interpretation of their role, bringing new perspectives and more nuanced interpretations into their work.

The culmination of the program will be fully staged performances of Don Giovanni and The Leopard in New York City (co-produced with Teatro Grattacielo), which will be formally included in Teatro Grattacielo’s 2027 Season Listing.

For Don Giovanni, we are forming two complete casts and one cover cast, with all roles open for casting.
For The Leopard, we are inviting Camerata Bardi singers to take selected principal roles, as listed below, and forming a complete cover cast, with all cover roles open for casting.




DON GIOVANNI — New York City

Two principal casts and one cover cast, with two apprentice pianists:


Don Giovanni, baritone, bass-baritone, or bass
Il Commendatore, bass
Donn'Anna, soprano
Don Ottavio, tenor
Donna Elvira, soprano or mezzo-soprano
Leporello, baritone, bass-baritone, or bass
Masetto, baritone, bass-baritone, or bass
Zerlina, soprano or mezzo-soprano
Two positions for apprentice collaborative pianists


THE LEOPARD — New York City

Selected single-cast principal roles and one cover cast:


Available Principal Roles:
Carolina, lyric soprano
Cavriaghi, tenor

Cover Roles (full cast):
Don Fabrizio, Prince of Salina, baritone
Stella, Princess of Salina, mezzo-soprano
Concetta, full lyric soprano
Caterina, mezzo-soprano
Tancredi Falconeri, tenor
Padre Pirrone, tenor
Mademoiselle Dombreuil, soprano
Don Calogero, baritone
Angelica, coloratura soprano
Don Onofrio, bass-baritone
Cavaliere di Monterzuolo, bass
Carolina, lyric soprano
Cavriaghi, tenor

All 2027 participants will be under consideration for roles and role covers in Teatro Grattacielo's 2027 Season.



Collaborative Pianists’ Development Program

June 2027 will bring the launch of an exciting new branch of the Camerata Bardi International Academy: our Collaborative Pianists’ Development Program, designed to help pianists who wish to grow as collaborators, explore the operatic repertoire, and develop their skills in coaching and conducting from the piano. The program will be part of our production of Don Giovanni and will include mentorship, workshops, training sessions on score preparation and operatic style (including recitativos and Italian diction), extensive observation and analysis of coachings and rehearsals, and the opportunity to coach young singers and play for their rehearsals under the guidance of experienced répétiteurs and conductors.

Topics for workshops and individual sessions will include:
• Operatic score study and preparation, including the interpretation of full scores
• Guidance and workshops on conducting and leading rehearsals from the piano
• Exploration of stylistic and musical topics including Mozartian recitativos, verismo style, performance practice in opera, Italian diction, and more
• Considerations and topics in coachings and role preparation work with singers, with particular emphasis on understanding breath, phrasing, and dynamics
• Self-branding, marketing, professional presentation, and the “art of the business”
• Opportunities for professional networking



The Program is open to young, upcoming opera singers and collaborative pianists who are interested in deepening their knowledge of the specific opera roles and repertoire offered in our 2027 Season, who are ready to debut those roles on stage and who are ready to grow artistically. Our mission is to pay particular attention to each and every participant and to ensure that by the end of this program, they have both had an important debut, and are ready to be a part of the professional, fast-paced world of opera.


Tuition Costs


Participants may select tuition with housing provided by Camerata Bardi or without housing.

Don Giovanni

Participation Housing Included Housing Not Included
Principal Casts $3,250 $2,750
Collaborative Pianists $3,250 $2,750
Cover Cast $1,400 $900


The Leopard

Participation Housing Included Housing Not Included
Selected Principal Roles $1,800 $1,300
Cover Cast $1,500 $1,000

Housing Included: Camerata Bardi will provide housing for the participant (in shared, double-occupancy rooms).

Housing Not Included: The participant is responsible for securing and paying for their own housing.

SCHOLARSHIPS


We will be offering three scholarships of $500 each, courtesy of an anonymous donor. Interest in a scholarship may be indicated during the application process.

Our tuition includes:

• All one-on-one workshops, coaching and lessons
• Targeted role mentoring program
• All Industry Development Seminars, which will focus on valuable career insights such as self-marketing, social media practices, networking, self-filming, and overall professional presentation
• Italian coachings
• Branding workshops

You may opt for tuition that includes housing, or you may elect to arrange your own housing and pay a smaller tuition fee. TUITION DOES NOT INCLUDE AIRFARE/TRAVEL.

• Registration Fee | There is no registration fee.
• Payment schedule | Tuition payments are divided in two equal parts. The first payment is due on the first day of your admission, and the second payment is due on the first day of the program.
• Refund policies and disclaimers | Camerata Bardi International Academy commits to contracts to secure faculty, production stage director, creative crew and (if needed) housing for our participants. Therefore, once paid, tuition and fees are non-refundable. There are no exceptions to this policy. Performances have already been booked with our partner-companies and plans are being laid out for fully staged performances.
• Contracts | This is a small boutique program. All our participants will be offered performances and contracts.
• Force Majeure | Camerata Bardi International Academy shall have no liability whatsoever to the Artist if the Performance cannot go forward because of circumstances beyond the Producer’s reasonable control including, without limitation, acts of God, pandemic, terrorist acts, shortage of supply, breakdowns or malfunctions, blackouts, labor difficulties, war or civil unrest. However, Camerata Bardi International Academy will reschedule such performances.



LAST DAY FOR SUBMISSIONS:

Friday, December 4th, 2026




Application Form for Singers (all productions)

Application Form for Pianists (Don Giovanni only)


THERE IS NO APPLICATION FEE.


REQUIREMENTS FOR YOUR APPLICATION VIDEO:
- Video must not be older than 1 year
- Link must be visible to us (unlisted is fine, but no “private” links)
- We do not accept Dropbox submissions

PROCESS:
1. Fill in the form(s), including all required information and links to 1-2 recent videos of your singing/playing (hosted on YouTube/Vimeo/similar, viewable without special permission/no log-in required, from within the last year)
2. Applications will be reviewed and responded to as they come in, on a rolling basis
3. Candidates under consideration will be invited to an audition and interview with Artistic Director Stefanos Koroneos, in-person in NYC or via Zoom, in December and early January
4. Casting announcements will begin to go out on January 15th, 2027

DEADLINE: The last day to submit an application is Friday, December 4th, 2027


Be in touch anytime! If you have questions or need assistance, please reach out to us at hilarybaboukis@grattacielo.org.



Camerata Bardi International Academy is more than a place of study—it’s a launchpad for professional careers. Since 2021, nearly all our young artists have received or are scheduled to receive paid performance opportunities with Teatro Grattacielo and Harrison Friends of the Opera. Between 2021 and 2026, our partner companies awarded 53 professional contracts, and two alumni have already secured permanent fest positions in Europe. Multiple young artists have secured professional representation as a result of their work with us; similarly, many of our alumni have secured major contracts at companies across the country and around the world.

Our work is similarly well-received by the theatrical and operatic press, including positive reviews from Front Row Center, Opera News, Opening Night Online, OperaWorld, TheaterScene, The Theatre Times, and Voix des Arts, among others. Our approach bridges training and the stage, helping artists gain visibility, build professional experience, and earn back part of their tuition through paid engagements. Recent highlights include The Tempest (2026), The Tin Angel (2025), The 10 Faces of Maria Callas, Teatro Grattacielo’s La Vestale at the Gerald Lynch Theater, Beyond the Horizon (2024), and collaborations with Opera Columbus, Rossini Opera Festival, Teatro Massimo di Palermo, and Light Opera of New Jersey.

Many of our artists continue to thrive beyond the Academy—three Elixir of Love singers, for instance, signed with major international agents following performances in New York and Crete in 2024, and two singers from Le nozze di Figaro signed similar contracts after their New York performances in 2025. Our singers have similarly triumphed at multiple international competitions, including the District and Regional levels of the Metropolitan Opera's Laffont Competition and the most recent winnter of the Ottavio Ziino International Opera Competition, among others. These successes reflect our mission: to open real pathways from study to the professional stage.

Scroll down to read direct testimonials from our participants and alumni, and click through to read more and hear more about our alumni in the opera world!





“As a debutant tackling the very demanding role of Gianni Schicchi, Camerata Bardi Academy was very accommodating and all my artistic needs were fully catered for. I was allowed to work and grow comfortably within my own capabilities, whilst being gently nudged into becoming the best version of myself as an artist. The coachings and mentorship I received were tailored to my current level of artistry and set me up for immense development within a short span of time. The experience was truly the best way to kickstart my career as an opera singer.”
Landula Hambile, 2026
“My experience with Camerata Bardi was truly invaluable. I had the incredible opportunity to be cast as Cherubino in two productions with the company, and those experiences have been pivotal in my artistic journey. Stefanos is a wonderful director who strikes the perfect balance between vision, clarity, and nurturing support. He truly brings out the best in his artists.

After my first performance in New York City, I was contacted by an agent interested in representing me. That performance ended up kick-starting my career. I now have auditions lined up that I never would have gotten on my own, two leading roles back to back this fall, and another engagement with Opera Memphis this winter.

I highly recommend Camerata Bardi to anyone considering applying. It is a program that offers not only professional-level opportunities but also genuine artistic growth and connection.”
Jordan Seguin-Gascoigne, 2025


“Camerata Bardi Vocal Academy gave me a plethora of performance, outreach, and educational opportunities. Because of this, I now feel as though I am closer to being ready to enter the professional world of opera and have the support and resources to do so.”
Maia Gonzalez, 2024



Our Partners:
TEATRO GRATTACIELO
CULTURAL AND CONFERENCE CENTER OF CRETE
PHOENICIA INTERNATIONAL FESTIVAL OF THE VOICE
RHODES INTERNATIONAL FESTIVAL
APOLLON THEATER, SYROS
HARRISON FRIENDS OF THE OPERA
ATHENS PHILHARMONIA
OPERASTUDIO MOLISE
TEATRO SAVOIA CAMPOBASSO
TEATRO MARIA CANIGLIA SULMONA
COMUNE DI SULMONA
ACCADEMIA MUSICALE DELL'ALTO SANGRO
CAMERATA MUSICALE SULMONESE
ASSOCIAZIONE CULTURALE ARTURO GIOVANNITTI



The Flea Theater | NYC


Accomplishments and Recent Productions

Since 2021, Camerata Bardi Vocal Academy has presented a diverse range of productions, including works by Donizetti, Mozart, Bizet, and others across various venues in the U.S. and Europe. Highlights include the world premiere of Nicolas Flagello's Beyond the Horizon, productions of W. A. Mozart's Don Giovanni and Così fan tutte, G. Bizet's Carmen, and Mascagni's L'amico Fritz. The Academy also hosted the Camerata Bardi International Competition and partnered with global festivals for innovative co-productions, enhancing its impact on opera education and performance. For more details, visit our Season page.

Listen to Previous Young Artists

TEATRO GRATTACIELO 2021 ANNUAL GALA

TESTIMONIALS

Camerata Bardi Vocal Academy has been a such a pivotal part of my career as a young artist. Through this incredible program, I have gained the knowledge, experience, and opportunities that are necessary to succeed in the opera industry. I now feel confident in my abilities as an artist, and any future success I may have is greatly due to my experience with Camerata Bardi.

SARAH ROSE JOHNSON, SOPRANO

Working hand in hand with Teatro Grattacielo has definitely marked a before and after in my performance practice and life; It has been that bridge between being a student and being a professional. I have been given multiple opportunities to grow in a safe, nurturing environment and I'm very fortunate to have mentors in the company that push and challenge me to become the artist they know I have the potential to be.

CLARA LUZ IRANZO, SOPRANO

It has been definitely one of the most memorable experiences of my life! I had the opportunity to meet, work with, and learn from beautiful people and of course I had the absolute pleasure to present Arbace on stage. I keep these great memories in my heart.

MARIOS MANIATOPOULOS, TENOR

While the world shut down due the pandemic, Camerata Bardi Vocal Academy found a way to keep its masterclasses, programming, rehearsals and mentorship alive. The program provided me with structure that kept me focused on my vocal development, gave me access to experts in the opera field and culminated in a professional level performance in Crete that was fully-staged with orchestra under the baton of an influential and world-renowned conductor. The experience served as an incredible spring board for next steps in my career and I am truly grateful to have been a part of the program.

KIRSTEN SCOTT, MEZZO SOPRANO

I had such an amazing experience on Idomeneo that it was hard to think what else is going to live up to that. Seeing people come out from all over, sing beautifully, most importantly sharing their art with the rest was amazing. Stefanos Koroneos is one of a kind.

EVA MARCO, SOPRANO

My time with Camerata Bardi Vocal Academy exceeded all my expectations - from the quality of the classes to the quality of our final show which was a fully professional production despite the price of this programme being one of the lowests I have come across. Everyone has been supportive but also honest and realistic with their advice to me which I appreciate a lot.
KRISTEL KNUDSEN, SOPRANO

Being a young artist at Camerata Bardi Vocal Academy and Teatro Grattacielo has been a real honor, because Mr. Stefanos Koroneos and his team always work at their very best to provide amazing opportunities to their singers. Being a part of their professional production of Idomeneo will definitely be one of the most unforgettable experiences in my career.
ZARA WING-KWAN CHUNG, SOPRANO

"Thanks to my time under the continued mentorship of the professional singers, conductors and artistic director of the Camerata Bardi Vocal Academy, I am a stronger, more polished and confident singing actress. I deeply appreciate the respectful, [Covid] safe and supportive atmosphere in which all the classes and rehearsals are conducted. Our live performances proceeded successfully and safely and I was able to learn a lot (including a gorgeous role) in a very short time. I call that a huge success!!!"
STEPHANIE LORENZ, SOPRANO

This program gave a lot of things to me, but I can tell you which one is best because I had good experience on stage from this program. We can’t buy this experience, being on stage. I think it can’t be bought with money and if singers need experience, Camerata Bardi Vocal Academy will give it you!
HYUNSOON KIM, BARITONE

My experience with Camerata bardi has influenced me with new ideas and possibilities to search for as a professional opera singer. Most importantly, it has given me the confidence to become an actress and a performer and through these qualities to support and find my true singing voice on stage.
KONSTANTINA THANOPOULOU, SOPRANO

One of the greatest highlights for me was getting to collaborate with such talented and wonderful young artists from around the world, to share the stage and some truly unforgetable moments with them. Stefanos Koroneos gave us so much support, feedback and guidance throughout the rehearsal period. Having the chance to debut one of my favourite roles, Adina, in such a high-quality production and under the baton of maestro M. Michailidis was incredibly fulfilling.
ANASTASIA PATSAKIDOU, SOPRANO

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